CatbirdVox Speaks

CatbirdVox Speaks

Random musings on acting, voice over, and other life-like things.
Learn from yesterday, live for today, hope for tomorrow.
Albert Einstein
Fear is a natural reaction to moving closer to the truth.
~Pema Chodron
thefluffingtonpost:

Area Kitty Upset by Mainstream Media Portrayal of Cats
Pickle, a local cat, is furious by the mainstream media’s negative portrayal of his species.  ”Cats are often depicted by the media as poor spellers, many times engaged in an activity with some sort of invisible friend, tool or instrument,” said Larry Owens, the cat’s lawyer.  ”Pickle feels that he speaks for cats everywhere when he says that he is sick of this damaging stereotype and how it is constantly reinforced by the mainstream press.”
Pickle is seeking a formal acknowledgement of the issue from the Society of Professional Journalists and plans to put together an educational packet entitled “The Rich History of Cats: No LOLing Matter” to be released this fall.
Via Steven2005.


Speaks for itself…

thefluffingtonpost:

Area Kitty Upset by Mainstream Media Portrayal of Cats

Pickle, a local cat, is furious by the mainstream media’s negative portrayal of his species.  ”Cats are often depicted by the media as poor spellers, many times engaged in an activity with some sort of invisible friend, tool or instrument,” said Larry Owens, the cat’s lawyer.  ”Pickle feels that he speaks for cats everywhere when he says that he is sick of this damaging stereotype and how it is constantly reinforced by the mainstream press.”

Pickle is seeking a formal acknowledgement of the issue from the Society of Professional Journalists and plans to put together an educational packet entitled “The Rich History of Cats: No LOLing Matter” to be released this fall.

Via Steven2005.

Speaks for itself…

(via npr)

archiemcphee:

Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral [and thoroughly awesome] portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects. 
[via Colossal]

Fantastic!archiemcphee:

Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral [and thoroughly awesome] portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects. 
[via Colossal]

Fantastic!archiemcphee:

Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral [and thoroughly awesome] portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects. 
[via Colossal]

Fantastic!archiemcphee:

Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral [and thoroughly awesome] portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects. 
[via Colossal]

Fantastic!

archiemcphee:

Using a process that could be the new definition of meticulous, Korean sculptor Seung Mo Park creates giant ephemeral [and thoroughly awesome] portraits by cutting layer after layer of wire mesh. Each work begins with a photograph which is superimposed over layers of wire with a projector, then using a subtractive technique Park slowly snips away areas of mesh. Each piece is several inches thick as each plane that forms the final image is spaced a few finger widths apart, giving the portraits a certain depth and dimensionality that’s hard to convey in a photograph, but this video on YouTube shows it pretty well. Park just exhibited this month at Blank Space Gallery in New York as part of his latest series Maya (meaning “illusion” in Sanskrit). You can see much more at West Collects

[via Colossal]

Fantastic!

oldhollywood:

Douglas Fairbanks (center) & director Allan Dwan (right) on the set of Robin Hood (1922). Giant megaphones were used to direct large crowds of extras.
(via)

Love the giant megaphone!

oldhollywood:

Douglas Fairbanks (center) & director Allan Dwan (right) on the set of Robin Hood (1922). Giant megaphones were used to direct large crowds of extras.

(via)

Love the giant megaphone!

oldhollywood:

Vivien Leigh & Olivia de Havilland in Gone With the Wind (1939, dir. Victor Fleming) (via)

Great photograph

oldhollywood:

Vivien Leigh & Olivia de Havilland in Gone With the Wind (1939, dir. Victor Fleming) (via)

Great photograph

muriendodedeseos:

burtnur:

brain-food:

Tom & James Draw


Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.
Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.




wow


so cool!!


Awesomemuriendodedeseos:

burtnur:

brain-food:

Tom & James Draw


Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.
Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.




wow


so cool!!


Awesomemuriendodedeseos:

burtnur:

brain-food:

Tom & James Draw


Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.
Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.




wow


so cool!!


Awesomemuriendodedeseos:

burtnur:

brain-food:

Tom & James Draw


Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.
Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.




wow


so cool!!


Awesomemuriendodedeseos:

burtnur:

brain-food:

Tom & James Draw


Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.
Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.




wow


so cool!!


Awesome

muriendodedeseos:

burtnur:

brain-food:

Tom & James Draw is the beau­ti­ful col­lab­o­ra­tive art project between James Gulliver Hancock and his brother Tom, who was born with Down’s Syndrome. Their work is gor­geous — lay­ered, col­or­ful and fas­ci­nat­ing. Here’s more:

Their col­lab­o­ra­tion is unique as they are shar­ing expe­ri­ences between the out­sider and “insider” art world. James iden­ti­fies with Toms abstract use of visual cod­ing and Tom builds around James’ skilled and con­fi­dent mark mak­ing. Tom relaxes James’ tech­ni­cal obses­sions, and James enables Tom’s con­cen­tra­tion and play­ful mark­mak­ing. Together they make worlds of expe­ri­ence, encom­pass­ing peo­ple around them and their actions, ani­mals, plants, engines, and some­times hilar­i­ous nods to the human expe­ri­ence and perception.

Both of them are inter­ested in obses­sion, both within mark mak­ing and the role obses­sion plays with per­cep­tion and life in general.

wow


so cool!!

Awesome

(via mizbelle)

365 Days In LA: 365 Days Recap: On Being Loved.

365daysinla:

I think we experience the need to be loved when we are very young and we go thoughtlessly running into the arms of our guardians - or for some of us, into the depths of our imaginations away from the stark realities of our lives. Someone recently asked me what I want the most in life and it was…

Neil Gaiman: As requested by too many people: making the last post rebloggable

neil-gaiman:

birdartpoetry asked: Mister Gaiman, you’re kickass. I was just wondering, what do you think is the best way to seduce a writer? I figured your answer would be pretty spectacular.

In my experience, writers tend to be really good at the inside of their own heads and imaginary people,…

Neil Gaiman: That last post

neil-gaiman:

People are asking if that last post was a joke.

I don’t think so.

But even if it was, it wasn’t. It’s nothing I haven’t seen before, many times, either as hate mail that came in on the FAQ line over at neilgaiman.com, or in other corners of the web — the saddest of which was a letter from a…

Will people never learn? Hatred does no one any good. It only keeps us all prisoners.